La Coronacio?n del Rey Pakal
Topic: King Pakal’s coronation by his Mother “La Reina Roja”
Description: A very solemn scene, surrounded by the buildings of Palenque located in the current state of Chiapas Mexico, considered the heart of the Mayan culture, shows Pakal, commander of the city-state of Palenque. The young Pakal, surrounded by priests, takes over the government that until then was directed by his mother, whose real name is still unknown. It is worth noting that the garments are filled with jadeite, a stone reserved for aristocratic use, as well as furs and ornamental feathers on each important figure. The fire that accompanies the celebration spreads the aroma of the copal that with music venerates the coronation of the King who will rule for more than 50 years.
Daniel Camacho is an artist born in October 1982 of Mexican origin. From a very young age he began his passion for painting as a means of expression and personal evolution. Daniel studied at the Academia de San Carlos de la CDMX, in the workshop of the master muralist Alfredo Nieto, and later studied in Bellas Artes [Fine Arts] de cd Nezahualcóyotl.
Inspired by the mystical and magical knowledge of the initiatory cultures, he focused his attention mainly on the past and present world of the “Anahuac” Valley of Mexico. It was central to several pre-Columbian civilizations, including Teotihuacan, the Toltec and Aztec, and became a well known site that epitomized the scene of early Classic Mesoamerican cultural development as well.
His work has become a tool to rescue, disseminate and resignify the indigenous identity and pre-Hispanic worldview. With this purpose, he has produced works for Fundacio?n Cultural Armella Spitalier (FCAS) representing different archaeological zones, capturing and embodying the teachings of the ancient Mexicans. In addition to participating in different collective and individual exhibitions, Daniel has produced murals and easel works for private collections with the theme of Mexican identity.
Daniel’s pictorial technique is rooted in Mesoamerican art and in the Flemish school of the European low countries, in addition to the Mexican School of Painting, headed by masters such as Diego Rivera, Orozco, Siqueiros, and Doctor Atl, thus making
Topic: King Pakal’s coronation by his Mother “La Reina Roja”
Description: A very solemn scene, surrounded by the buildings of Palenque located in the current state of Chiapas Mexico, considered the heart of the Mayan culture, shows Pakal, commander of the city-state of Palenque. The young Pakal, surrounded by priests, takes over the government that until then was directed by his mother, whose real name is still unknown. It is worth noting that the garments are filled with jadeite, a stone reserved for aristocratic use, as well as furs and ornamental feathers on each important figure. The fire that accompanies the celebration spreads the aroma of the copal that with music venerates the coronation of the King who will rule for more than 50 years.
Daniel Camacho is an artist born in October 1982 of Mexican origin. From a very young age he began his passion for painting as a means of expression and personal evolution. Daniel studied at the Academia de San Carlos de la CDMX, in the workshop of the master muralist Alfredo Nieto, and later studied in Bellas Artes [Fine Arts] de cd Nezahualcóyotl.
Inspired by the mystical and magical knowledge of the initiatory cultures, he focused his attention mainly on the past and present world of the “Anahuac” Valley of Mexico. It was central to several pre-Columbian civilizations, including Teotihuacan, the Toltec and Aztec, and became a well known site that epitomized the scene of early Classic Mesoamerican cultural development as well.
His work has become a tool to rescue, disseminate and resignify the indigenous identity and pre-Hispanic worldview. With this purpose, he has produced works for Fundacio?n Cultural Armella Spitalier (FCAS) representing different archaeological zones, capturing and embodying the teachings of the ancient Mexicans. In addition to participating in different collective and individual exhibitions, Daniel has produced murals and easel works for private collections with the theme of Mexican identity.
Daniel’s pictorial technique is rooted in Mesoamerican art and in the Flemish school of the European low countries, in addition to the Mexican School of Painting, headed by masters such as Diego Rivera, Orozco, Siqueiros, and Doctor Atl, thus making
La Coronacio?n del Rey Pakal